On a neighborhood street the branches of an old tree reach over the footpath into the garden of a family home. The family have taken to decorating the tree with mementos of family life, including soccer balls, shoes, models of family life, parties and so on. It adds to the charm of West Hobart.
In 15 years Tasmania has gone from the state with the most homophobic laws in Australia to the first state to decide to legislate for same-sex marriage. However, it has taken almost 30 years of conflict over the management of Tasmania's forests for conservationists and timber workers to enter into serious negotiations. These peace talks have proceeded for two years and it is now decision time. Social attitudes towards marriage equality have changed, Gunn's Pulp Mill looks finished, NASA has landed its Curiosity Rover on Mars, but will we still be banging our heads on old growth trees for another thirty years? Kudelka says it all, as usual.
UPDATE : Final week-end talks lasted for 15 hours from Friday evening, but, as yet, all parties agree that no solution has been found.
UPDATE : It's now the 16th August and an interim report has been issued with the expectation that another 4 weeks will bring a conclusion to the peace talks.
Another marvellous Tasmanian icon was the venue for a second uplifting experience this past week. MONA hosted a filmed production of the Ring Cycle from the Metropolitan Opera in New York. I count myself really fortunate to have seen Siegfried and Gotterdammerung. The filming was imaginatively done and the singing, acting and orchestral performances were absolutely wonderful. The elevator descent past magnificent sandstone cliffs to the underground setting of MONA's theatre was eerily appropriate and the intermissions spent absorbing MONA's inimitable atmosphere only added to the ambience. It is such a pleasure to have a first class gallery here in Hobart, which is free for any Tasmanian to explore. And to view a performance of the Met in Tasmania is indescribably inspiring.
TO THE RESCUE
The public discourse in Australia has been so crass, intemperate and unrelated to reality these last months that I haven't been able to bring myself to add to the noise. However two events have conspired to persuade me try again. One was a celebration of 123 years of continuous literary activity in Hobart and the other was a visit to one of the special offerings of the Museum of Modern and New Art (MONA).
The Hamilton Literary society was established in 1889 by Lady Theresa Hamilton, the wife of the Governor of the day, to promote the appreciation of literature among young women. 123 years later the Society has remained true to its origins and is still promoting friendship between people who share a love of reading and writing. The President of the Society is by
tradition the wife of the current Governor of Tasmania.
On the anniversary of the foundation of the society a special lecture is given. This year the lecturer wasDr Danielle Wood (a Tasmanian award-winning author and academic) who spoke about well-known Tasmanian identity and author,Mrs Marjorie Bligh The lecture was given at Government House, followed by High Tea.
This was an uplifting occasion - an enjoyable, interesting and well-crafted lecture held in the beautiful surroundings of a treasured Tasmanian icon - Government House.
Mona-Foma is back again in Hobart and is receiving warm support. It is not often that St Mary's Cathedral is packed for a concert and the audience gives a standing ovation to the performers. However, Nick Tsiavos and his talented group were received enthusiastically, as they presented their particular take on new music, Byzantine chant, free jazz and new minimalism. Deborah Kayser's incredible voice rose and fell in pure simplicity against a background of liminal bass tones and imaginative, sensitive percussion. In this performance the ancient did indeed become modern and the playing was passionate and beautiful.
Following the Liminal performance another packed audience listened to Rod Thomson playing a number of organ pieces by Messiaen. These meditations and musical visions also reflected Greek, Hindu, Indonesian, Japanese and jazz influences and were played in masterly fashion by the organist. The cathedral resonated with the joy and splendour of the music celebrating power and majesty and the muted tones of the meditations on suffering. This concert too was enthusiastically received and makes me wonder whether Brian Ritchie playing his shakuhachi flute can possibly be any more inspiring next week.
Those of us who live in Tasmania know what a gem of a place it is. When expatriate Tasmanians come home over the Christmas-New Year break, however, they remind us once again of the special delights of the Tasmanian summer. Their international companions are amazed by our gourmet food and wine experiences and marvel at the peaceful stillness of our unspoilt beaches and coves and the grandeur of our bush and wilderness. As our visitors wander round Salamanca and the wharves, explore our off-shore islands and the East coast resorts, admire the colonial buildings of the North and the pristine beauty of iconic mountains and tarns, they bring home to us the charm and value of so much we take for granted in our southern Australian outpost.
On this first day of a new year it is salutary to remember how fortunate we are to live in our island state.
After the unseemliness of so much of Australian public life of late, it is also worthwhile remembering how remarkably well the Australian economy has performed to date, compared with most other countries. An important analysis of this performance can be found here , while Mr Denmore has some cogent remarks about the performance of the media during 2011 that are well worth reading.
